Friday, 14 August 2015

BLËED - 'Committed' (New Song)



I'm immensely excited for the release of BLËED's full length album, "The Hatred Inside", which is due in late September. Bravewords.com is currently streaming 'Committed', which is the first single from the album. It sounds nice and gritty; an in-your-face bombast of the kind of metal I love from this band.

Links:
Bravewords Article
(Link to stream 'Committed')


Thursday, 13 August 2015

10 Albums That Introduced Me To Metal

Some of the following albums can’t necessarily be considered in the sense that most of us think of, but they served to pique my interest in the genre that I subsequently delved deeply into. In order to provide some background for this list it’s probably best that I explain how I got into metal. I ended up taking a bit of a roundabout path for someone my age. I grew up listening to country; that was all that was played in my home although there was constantly music in the background. I feel fortunate to have grown up in a rural setting. Not isolated by any means, but rural enough that I only had access to dial-up internet until I was well into my first year of university. 

Dial up internet wasn’t exactly conducive to discovering music. Most people the same age were discovering (and downloading) music at the time, but it wasn’t really an option for me. I started listening to classic rock due to a friend’s dad having a massive collection of classic rock albums with a few metal albums in the mix. I found radio stations that occasionally played a metal song or two. I quickly discovered re-runs of Power Hour on MuchMusic. (A TV show that aired in Canada from 1986 to 1991in its original form, featuring hair metal, hard rock and metal music videos). Every once in a while I’d catch an episode of Loud, which featured heavier music and also aired on the MuchMusic channel. 

From that point, I started buying CDs of bands that interested me, or that I had read about in magazines or on the internet. I’m not sure about the availability of online ordering for CDs at that time, as I had very little idea of what was even on the internet. Most of my CDs came from A&B Sound, which ceased to exist in 2008. HMV was the next option. CDs cost a hell of a lot more then than they do now, especially for a kid. Album purchases were few and far between, and each album I did buy got listened to a lot. 

While it was a bit of a pain to discover metal, I think it made each discovery that much more exciting. I imagine this was akin to how people felt in the tape trading days, or when vinyl was the only readily available format. Access to music has certainly changed quite a bit, even in the relatively short time that I’ve been seriously listening to and buying albums, but that’s a different discussion for a different day. That being said, these are the first albums that formed my introduction to something a little heavier than classic rock:


Iron Maiden - The Number Of The Beast

Released in 1982, The Number Of The Beast still remains my favorite Maiden album. ‘Hallowed Be Thy Name’ is the first metal song that I recall truly taking notice of. ‘Run To The Hills’ has been (horribly) attempted at drunken karaoke more than once. The Number Of The Beast is one of those classic albums that every metal head should listen to from start to finish at least once. 

W.A.S.P. - W.A.S.P & The Last Command

Naming two albums is a bit of a cheat, but I somehow managed to acquire a vinyl of WASP’s debut, self titled album at roughly the same time that I got my hands on The Last Command. I would still love to see them live. I almost managed to sneak into a bar underage years ago to catch them, and missed them live by a single day both trips I made to Finland. (Which I’m still kicking myself for). WASP always seemed a bit more sinister than other similar bands. They have catchy songs and I still like the uniqueness of Blackie’s vocals.  





Metallica - Kill ‘Em All

Out of all of the Metallica albums I could have chosen as the first album to buy, I ended up with Kill ‘Em All. Until that point, it was probably the hardest, most aggressive I had ever heard. When I still played a little bit of bass as a young teenager, I thought it would be a brilliant idea to learn “(Anesthesia) - Pulling Teeth”. Considering lack of any kind of natural musicianship and my neglectful attitude towards practicing, that would have been quite a feat. Needless to say, it definitely didn’t happen. 

Black Sabbath - Paranoid

I think it would be difficult to call oneself a metal head without having at least some knowledge, or having to have listened to, some Black Sabbath. After listening to a fair bit of classic rock, Sabbath seemed like a logical step. While I’m not much of a doom metal fan, it’s difficult to deny Black Sabbath’s influence on the subgenre. 


Alice Cooper - Love It To Death & Killer

In hindsight, these may have been strange Alice Cooper albums to start my collection with as there are certainly more well known releases. ‘Ballad Of Dwight Fry’ (from Love It To Death) is still one of the most chilling songs I can think of, detailing a narrative descent into madness. I listened to both of these albums over and over again. Especially during class when I probably should have been listening to the teacher. 


Mötley Crüe - Shout At The Devil

Shout At The Devil, to me, is Mötley Crüe’s most metal album when taken into consideration the time that it was released and the fact that Mötley Crüe tends to fall more into the spectrum of ‘hair metal’ than the metal I listen to now. Admittedly I used to be a huge Mötley Crüe fan. When I was young, this band (and album) offered the perfect amount of sleaze, and a touch of danger. 


Guns N’ Roses - Appetite For Destruction

Appetite For Destruction remains as one of the most solid albums from start to finish that I’ve listened to. There isn’t a weak song on this album. At one point, I probably had all of the lyrics memorized. Appetite For Destruction is a fitting name as this is an angry album, full of attitude. 

Children of Bodom - Hate Crew Deathroll


Hate Crew Deathroll was one of the first ‘metal’ albums that I bought. Metal in the sense of not being able to really be categorized into any other genre (hair metal, classic rock, etc). This album really kickstarted my foray into a lot of the bands and metal subgenres that I listen to now. It still remains as one of my favorite albums and Angels Don’t Kill is still one of my favorite COB songs. Hate Crew Deathroll was a lot heavier and faster than much of the stuff I’d previously listened to and I was hooked. 



Monday, 10 August 2015

Grave - 'Redeemed Through Hate' track

This year is shaping up to be a good one for Swedish death metal. I recently became aware that Grave will also be releasing a new album in October. Entitled “Out Of Respect For The Dead”, this will be another that I’ll be adding to my collection. 


‘Redeemed Through Hate’, a track that will be on the upcoming album, has been released as an introduction to what can be expected from “Out Of Respect For The Dead”. I like this track. It’s angry, it’s heavy, and it’s what I would hope for from Grave. I like their last release (Endless Procession of Souls), and subsequently found myself getting more engrossed with Grave after catching them live on the Barge to Hell cruise several years ago. This track promises a solid album; you can check it out here:


Firespawn - 'Lucifer Has Spoken' Video




Firespawn is a newly formed death metal band featuring several well-known and highly respected musicians from the Swedish death metal scene. With members from Entombed, Unleashed, Necrophobic and Dark Funeral, this is another new project with some serious credentials to back it up. Firespawn’s debut album will be released in November although the band has chosen to put out a limited release EP to precede this date. (The EP was released on August 7th). 


Watching the video for ‘Lucifer Has Spoken’, the feeling of blasphemy that Firespawn will be aiming for is apparent. Between the stellar lineup of musicians behind this project and the debut video, I’m intrigued enough that I will be picking up the album upon its release. 

Saturday, 8 August 2015

Entrails "Obliteration" Review

I admit that I wrote this review a while ago, in close conjunction with the release of the album, and realized that I completely neglected to post it. Late might be better than never, so enjoy and give it a listen if you haven't already.





Track Listing:
  1. No Cross Left Unturned
  2. Epitome Of Death
  3. Beyond The Flesh
  4. The Grotesque
  5. Obliterate
  6. Skulls
  7. Midnight Coffin
  8. Bonestorm
  9. Abyss Of Corpses
  10. Re-Animation Of The Dead 







The ominous bells of ‘No Cross Left Unturned’ set the tone for a great death metal album. Every track on “Obliteration” exemplifies a modern take on the classic Swedish death sound. There is no straying away from the murderous and horror-flavored themes on this album, which is exactly what I love about Entrails. It’s undeniably catchy, which isn’t necessarily a phrase that can be associated with death metal (and which I’m reluctant to do, since it’s usually associated with radio-friendly, pop-ish junk). But to this death metal fan, the choruses are such that I feel like growling along with each one and headbanging in between. ‘Epitome Of Death’ and ‘Bonestorm’ are perfect examples of this. ‘Midnight Coffin’ may very well be my pick as one of the top tracks from the album due to the ominous atmosphere induced in the intro which then breaks into something more horrific. There is a nice blend of slower-paced and more upbeat tempos within “Obliteration”, providing a respite and a bit of an adrenaline rush at the right times. 

Furthermore, this is an album that makes me unknowingly break speed limits while cruising on the highway. It’s easy to get wrapped up in the tempo and forget to glance at the speedometer, headbanging the entire trip. (Perhaps not objective, but I find this as a way in which I often judge albums). A word to the wise: keep your eyes out for police or speed traps if you listen to “Obliteration” in your vehicle. Unless you have the cash to fork over for speeding tickets. 


I struggle to find a weak point within “Obliteration”. It may be a bit more polished than some of the previous Entrails albums, but this is to be expected with progression over the years. “Obliteration” still contains enough of that rawness that it can get away with being slightly more polished as the roots of the band are still obvious and remain strong. It’s no secret that I have immensely enjoyed each album that Entrails has released to date, and this one is no exception. While I doubt “Obliteration” will become my favorite album by these Swedes, it will definitely be in contention for my favorite album this year. 

Vampire Interview, courtesy of Towards The Inevitable



http://towardstheinevitable.com/vampire-interview-2015/

For anyone who is interested in Vampire, I dare say that this interview is a must-read. Published today by the site Towards The Inevitable, it is an insightful piece chalked full of interesting perspectives. While it doesn't speak much about the self-titled album released last year, it does go into depth about several of the other projects that Vampire has and is working on.

The band is set to release a mini-LP entitled 'Cimmerian Shade', which was previously unknown to me. The interview provides background and information regarding the release of this LP, which will only be available on vinyl and as a digital download for the time being. (Personally, I'm hoping for a CD release at some point as I am not a fan of digital downloads and I'm not really a vinyl collector either).

I appreciate the discussion of the video for "The Fen", a track from the self-titled release. It truly is a brilliant piece of work, drawing on so many dark, psychological factors. Borrowing directly from vocalist Hand Of Doom, the video is distinctly Scandinavian and creates an interesting discussion within the interview. There are some unique and intelligent insights in this interview and it's worth checking out.