The Best Of 2017

I was far from diligent in reviewing new releases in 2017; that much is evidenced from the serious lack of posts doing just that. With all of the "top releases of 2017" lists coming out in December, and my difference of opinion from most of them, I wanted to share my top picks of last year. Keep in mind that these are my FAVOURITES, highly subjective to my own personal taste in metal.

Top Five (from well-known bands):

Belphegor - Totenritual
Blackened death metal (Austria)

Entrails - World Inferno 

Death metal (Sweden)

Cut Up - Wherever They May Rot

Death metal (Sweden)

Kreator - Gods Of Violence

Thrash metal (Germany)

King Of Asgard - Taudr

Viking metal (Sweden)

Local Picks:

My favourite releases from bands I've had the opportunity to see live and watch grow over the last few years. If you're into the style of metal they play, I'd recommend checking out these albums. Admittedly, there are a few of my Canadian favourites from whom I failed to pick up albums from in 2017. 

Körperlose Stimme

Blackened death metal (Canada)

Forsaken Rite 

Folk metal (Canada)

Grimner - Frost Mot Eld Review

Track Listing

1. Res Er Mina Söner
2. Eldhjärta
3. Normännens Raseri
4. Enhärjarkväde
5. Midgård Brinner
6. Vargarnas Tid
7. Mörkets Hem
8. Etter och Flammor
9. Muspelheims Härskare
10. Frost Mot Eld

Sweden has over the years proven to be a hotbed for metal of all types. Some of the best folk metal comes from Sweden and emerging artist, Grimner, is no exception. Formed in 2008, with their first full length release ‘Blodshymner’ coming in 2014, Grimner are relative unknowns ready to burst onto the scene. Grimner offer everything one could want in a folk metal band, conveying a sense of paganism evident in both the music and the band’s imagery. With a sound similar to bands such as Finntroll and Månegarm, yet uniquely their own, Grimner have released one hell of an album. 

‘Frost Mot Eld’ is inspired by Ragnarök which, put in simplistic terms, is the end of world of the old Norse gods. With lyrics sung entirely in Swedish, and the perfect melding of clean and harsh vocals, Grimner have created a refreshing folk metal album. “Res Er Mina Söner” opens with a sense of calm before the storm, quickly bursting into a more up-tempo track backed by a memorable flute melody. In fact, flutes are evident throughout much of the album, adding a unique touch to many of the songs. The pieces of ‘Frost Mot Eld’ flow together seamlessly, at times light and uplifting and at other times brutal and harsh.  The Swedish bagpipes in “Vargarnas Tid” provide a background of melancholic darkness to the track evoking emotions of hope fading away. The pace changes multiple times throughout the album, much like the emotions brought forth by the lyrical content and careful use of various instruments and vocal techniques. 

The story woven throughout ‘Frost Mot Eld’ is one of battle, one of hope and lost hope, one of acceptance of fate, and one of finality. It is a journey that feels as though it were woven by the Norns, telling a narrative of the end of days set to some truly evocative, brooding, and at times, jovial, melodies. 

Best tracks: Vargarnas Tid, Eldjärta, Frost Mot Eld

Amon Amarth Kills It In Calgary - A Live Review

Amon Amarth with Entombed A.D. & Exmortus

May 14th, 2016

MacEwan Hall, Calgary

“The Vikings have landed!” might as well have been the war cry heard throughout the province on the evening that Amon Amarth prepared to play their only Alberta date on the tour. With an amazing lineup, this particular show was highly anticipated and drew metalheads from hours away. Met by chainmailed and helmeted viking sentinels upon entering the venue, the anticipation was tangible. 

Exmortus opened the show, shredding their way through a blistering set. Touring on the back of their latest album, ‘Ride Forth’, it was unfortunate that many fans were still trying to get into the venue or caught up in the merchandise line for their set. Although only being afforded a rather short set, Exmortus proved that they belong with the other heavy hitters in the lineup. 

Entombed A.D., still somewhat synonymous with the original Entombed, played to a fuller house even though people were still trying to get in the doors halfway through their set. For the old-school death metal fans in the audience it was quite a treat to witness L.G. Petrov and crew playing a few classic Entombed songs as well as some of the newer, more death n’roll styled material. 

Photo by the talented Dana Zuk.

Amon Amarth stormed onto stage, ripping into “Pursuit of Vikings”. The Swedes played to a packed house with a well-rounded set of older and newer material. Although more focus was placed on material from ‘Jomsviking’, enough of the classics were played to keep even long-time Amon Amarth fans satisfied. The elaborate stage props, consisting of a giant viking-helmet drum riser and several different backdrops, added to the ambiance of the set. Chainmailed vikings battling with swords and shields enhanced many of the songs from the ‘Jomsviking’ album. “First Kill” seemed a crowd favorite, while “Runes To My Memory” was one that proved a favorite with certain segments of the audience. While it would have been wickedly awesome to witness L.G. Petrov handling some of the vocals to “Guardians Of Asgaard”, as he did on the ‘Twilight Of The Thunder God’ album, it wasn’t to be. Amon Amarth demonstrated yet again why they have gained popularity in recent years. Playing a tight set, carried by the powerful vocals of Johan Hegg, these vikings once again kicked some serious ass. 

The first all-ages Amon Amarth show I’ve witnessed was truly packed with those of all ages. From little metalheads dressed in chainmail with battleaxes to old-school metalheads who were likely listening to Swedish death metal when Entombed A.D. was known as Nihilist and before the release of ‘Left Hand Path’ this show represented multiple generations of metalheads. From the frenzied, mixed stylings of Exmortus, to the classic-death metal influences of Entombed, to the never disappointing and always energetic, perfectly melodic death metal viking anthems of Amon Amarth, it was a show that wasn’t to be missed.

Review: Amon Amarth - Jomsviking

Track Listing:

1.  First Kill

 2. Wanderer

 3. On A Sea Of Blood

 4. One Against All

 5. Raise Your Horns

 6. The Way Of Vikings

 7. At Dawn’s First Light

 8. One Thousand Burning Arrows

 9. Vengeance Is My Name

 10. A Dream That Cannot Be 

 11. Back On Northern Shores

‘Jomsviking’, Amon Amarth’s latest offering, is based on a screenplay written by vocalist Johan Hegg. Which then, coincidentally, became a full-fledged concept album. While viking themes are nothing new for Amon Amarth, a concept album is new territory for the revered Swedes. After the departure of long-time drummer, Fredrik Andersson, drummer Tobias Gustafsson (of Vomitory fame) was recruited for the recording of ‘Jomsviking’. 

‘Jomsviking’ is perhaps Amon Amarth’s most melodic offering to date, venturing far from their early, death metal roots. More epic than brutal, this album is a further progression of the direction that Amon Amarth has taken on their last few releases. The first few tracks set the scene for the epic story that follows. “Raise Your Horns” offers delightfully awkward verses, followed by an incredibly catchy chorus. It might actually be the most anthemic song of the entire album. ‘One Thousand Burning Arrows’ is reminiscent of a few earlier, very memorable Amon Amarth songs. At least in theme, if not in sound. It also seems to represent a turning point in the story woven throughout ‘Jomsviking’. “A Dream That Cannot Be” is a wickedly brutal song when listening to the lyrics. It proves to be the ultimate kick to the teeth in the game of pursuing an unrequited love. Which feels somewhat strange to be coming from a band that doesn’t typically sing about such a theme, but it’s woven nicely into the idea of a concept album. Having Doro Pesch singing vocals throughout the song doesn’t hurt either. 

Containing some spoken elements, this aspect of ‘Jomsviking’ might be a first for Amon Amarth. It is certainly something that further differentiates this album from previous efforts. It’s difficult to pick a song that has potential to become a live favorite, unlike other albums where this proved an easy task. ‘Jomsviking’ seems to lack the element of an epic live song. It also seems to lack the thundering, relentless, in-your-face feel of some of the band’s previous material. If you vastly prefer earlier Amon Amarth, this probably isn’t the album for you. However, if you enjoy an epic story with sentiment, and don’t mind some more mellow elements, this will be a good listen. 

Best Tracks: First Kill, On A Sea Of Blood, One Thousand Burning Arrows

Amon Amarth set to release 'Jomsviking' on March 25th

It's no secret that Amon Amarth is one of my favourite bands. A new album was barely even on my radar when I posted about upcoming albums this year, but this is how you do it right. I like how there wasn't much (if any) hype leading up to an announcement. There were a few veiled teasers, and then suddenly, an announcement of a release date and tour dates all at once. Needless to say, I'm highly anticipating this one. Amon Amarth has never failed to disappoint me, and I'm sure this album won't either.

While the band is skipping the city closest to me on this tour, I'm definitely making a road trip to see Amon Amarth live. Especially since Entombed A.D. and Exmortus are opening. Seriously, that's a pretty sick lineup.

'Jomsviking' is a concept album in that it will tell a story from beginning to end.

The track listing is as follows:

1. First Kill
2. Wanderer
3. On A Sea Of Blood
4. One Against All
5. Raise Your Horns
6. The Way Of Vikings
7. At Dawn's First Light
8. One Thousand Burning Arrows
9. Vengeance Is My Name (bonus track on certain editions)
10. A Dream That Cannot Be (featuring Doro Pesch)
11. Back On Northern Shores



Take a look at the video for "First Kill":

Månegarm: 'Odin Owns Ye All' Video

Chainmail, battle axes, drinking horns, vikings, and of course Odin…

I actually quite like this video. It's fairly simple yet it creates the perfect atmosphere for the song. While it still seems a little strange to hear this band singing in english, it works. 'Odin Owns Ye All' is a good choice as a preview to the album as it's quite accessible and anthemic, although not quite as much so as a few of the tracks from their last release, "Legions Of The North".

I always look forward to new material from Månegarm and this video serves to increase my anticipation  of the release of the new self titled album later this year.

Unleashed - 'Dawn Of The Nine' Review

Dawn Of The Nine:

1. A New Day Will Rise
2. They Came To Die
3. Defenders Of Midgard
4. Where Is Your God Now?
5. The Bolt Thrower
6. Let The Hammer Fly
7. Where Churches Once Burned
8. Land Of The Thousand Lakes
9. Dawn Of The Nine
10. Welcome The Son Of Thor!

Having finally found the time to sit down and listen to ‘Dawn of The Nine’ track by track in its entirety, I recommend that any death metal fan do the same. Unleashed certainly aren’t rewriting the book on the genre, but they are demonstrating why they continue to be a band at the forefront of the stripped down, old school, Swedish death sound. 

‘Dawn Of The Nine’ is the twelfth studio album from these masters. It doesn’t experiment with new directions, it doesn’t attempt to be more “mainstream” friendly, it doesn’t attempt to reach out to a new segment of fans like so many other bands I’ve loved have attempted to do in recent years. Instead, it continues to embrace what myself (and doubtlessly others) find appealing about the band. ‘Dawn Of The Nine’ is simple in a pure, unadulterated fashion that makes me want to drink beer, bang my fist on the table and headbang along. 

Johnny Hedlund’s vocals are menacingly distinct, snarling yet understandable. This album makes you feel like joining the viking hordes and fighting battles alongside them, burning churches and crushing the White Christ. The slower segments, which I was not fond of on the first couple listens, have grown on me and enhance the atmosphere woven throughout the album. Delving into the story, it’s antagonistic, as evidenced by tracks such as “Where Is Your God Now” and “Where Churches Once Burned”. Songs like these are relevant in so many different ways, and so many different interpretations. The outro to “Where Churches Once Burned” creates a gloomy atmosphere, enabling one to imagine the silence and calm of a coming dawn after watching flames lick a darkened sky. 

Speaking of a reawakening of Thor, and the rise of a mighty (mythologically) based return of Viking values, ‘Dawn Of The Nine’ does not disappoint on the promise of continuing where ‘Odalheim’ left off. It proves that Unleashed is still hungry, still uncompromising and still an exemplary choice when it comes to viking/pagan influenced death metal. 

My favorite tracks: Where Churches Once Burned, The Bolt Thrower, Dawn Of The Nine, Where Is Your God Now?

Põhjast

This particular album falls into the category of one that I would like to get, but have difficulty finding. Ideally, I would like to order it while ordering other merch, but it appears that it will probably be a one-off type of order as it has proved quite elusive. It is difficult to even find much updated information about Põhjast. I enjoyed 'Thou Strong Stern Death', as it reminded me slightly of Bathory. I have heard that 'Matused' is also quite similar to later-era Bathory.

Speaking of Põhjast and merchandise, it would be nice to see a patch released, or perhaps a few shirts. Personally, I think the logo is one of the neatest I have seen. the cover of 'Matused' itself is also quite appealing.

Favorite Pagan Metal Bands

        Without giving any precedence to the various arguments about what exactly constitutes folk, pagan and/or viking metal bands, the following is a list of my top ten favorites. I’m not a big fan of pointlessly debating the nuances of sub-genres, therefore these are what I consider pagan-themed metal bands. In no particular order (other than alphabetical), here are my top ten picks:

Amon Amarth

From: Sweden

Finntroll

From: Finland

Heidevolk

From: The Netherlands

Korpiklaani

From: Finland

Månegarm

From: Sweden

Moonsorrow

From: Finland

Thyrfing

From: Sweden

Unleashed

From: Sweden

Waylander

From: Ireland

Wolfchant

From: Germany

The musical influences and sounds between these bands are widely varied. There are also several other pagan-themed bands that I listen to on a semi-regular basis. Ensiferum and Turisas were left off this list due to some fantastic early albums and some not-so-great later ones. Bathory was left off for the simple reason that not all of their albums are pagan-themed.