Saturday, 30 January 2016

Warbringer & Enforcer with Cauldron & Exmortus Review

January 28th, 2016
Starlite Room

            An early start to the show resulted in only catching the final song of Exmortus’ set, which was a little disappointing considering I was hoping to get a good live preview before they open for Amon Amarth later this year. From what I heard, it was a set that was so good it definitely shouldn’t have been missed.

            Cauldron was up next, with Striker’s Dan Cleary on vocals due to Cauldron’s own vocalist having a nasty throat infection. Playing in the style of traditional heavy metal, I thought their set was pretty good.

            Sweden’s Enforcer amped up the energy, playing to an enthusiastic crowd. Proving that metal is timeless, Enforcer definitely reminded me of some of the classic speed metal bands, right down to their stage outfits. I thoroughly enjoyed their set, which was near perfect in terms of song choice according to several people who were much more familiar with the band than I. Even if you don’t particularly enjoy the style of metal that Enforcer plays, I wouldn’t hesitate to recommend catching a live show if you have the opportunity.


            Warbringer headlined the evening. A bit surprisingly, half of the crowd had emptied out of the building when they started, apparently unaware of what they were about to miss. Playing deliriously fast thrash metal, appropriate for the circle pit that developed, Warbringer delivered and ended the night on a high note.



Tuesday, 26 January 2016

Amon Amarth set to release 'Jomsviking' on March 25th



It's no secret that Amon Amarth is one of my favourite bands. A new album was barely even on my radar when I posted about upcoming albums this year, but this is how you do it right. I like how there wasn't much (if any) hype leading up to an announcement. There were a few veiled teasers, and then suddenly, an announcement of a release date and tour dates all at once. Needless to say, I'm highly anticipating this one. Amon Amarth has never failed to disappoint me, and I'm sure this album won't either.

While the band is skipping the city closest to me on this tour, I'm definitely making a road trip to see Amon Amarth live. Especially since Entombed A.D. and Exmortus are opening. Seriously, that's a pretty sick lineup.

'Jomsviking' is a concept album in that it will tell a story from beginning to end.

The track listing is as follows:

1. First Kill
2. Wanderer
3. On A Sea Of Blood
4. One Against All
5. Raise Your Horns
6. The Way Of Vikings
7. At Dawn's First Light
8. One Thousand Burning Arrows
9. Vengeance Is My Name (bonus track on certain editions)
10. A Dream That Cannot Be (featuring Doro Pesch)
11. Back On Northern Shores



Take a look at the video for "First Kill":






Saturday, 23 January 2016

'Trendy' Extremist Feminism & Metal

The following is based on my thoughts stemming from this article:

“It’s Time To Stop Making Excuses For Extreme Metal’s Violent Misogynist Fantasies”
By Jill Mikkelson


            Having already voiced my opinion on another article dealing with the same subject matter, I can at least say that this one expresses a lot less blatant ignorance on the part of the author. It’s clear that this one is from the author’s perspective, instead of trying to pass as objective, fact-filled piece of writing.

            I don’t disagree with having a dialogue about perceived issues in metal. The problem becomes having any kind of productive discussion with “SJW” radical feminist types about misogyny in metal. It’s like arguing with a religious fanatic; utterly pointless unless you want some good entertainment. I don’t agree with the author’s standpoint that addressing misogyny in metal isn’t an attack. From the vast majority of the material I have read, it has been an outright attack. Just like the majority of trendy social issues perpetrated by social media, internet forums and university campuses are attacks parading in the guise of ‘creating dialogue’.

 I could probably write something from the perspective of any side of an issue if I was asked to. I might refuse to do so, but I am certainly capable of doing it. Would it necessarily mean that I am somehow intimately connected to whatever I’m writing? No. Does it mean that if I were to write a crime novel, from the perspective of a criminal, with descriptions of dismembering bodies, that I actually believe in performing those actions, or that they’re somehow ‘right’? No.  Should every piece of writing, lyrics included, be politically correct and socially sensitive? Definitely not.

One of the things that I appreciate about metal is that it can express attitudes that might be provocative, that might be misogynist, that might not be socially or politically correct. I appreciated that, until fairly recently, it has mostly been left alone. Lyrical content aside, I’ve found the vast majority of men in metal, both fans and musicians, to be quite respectful of women.


I’ve never felt objectified as a sex object participating in the metal scene. No matter whether I’ve worn a short skirt and corset to a show, or whether I’ve worn men’s shorts and a t-shirt to a show. Perhaps I find it easier to tell the few moron meatheads who’ve attempted to make crude comments, or have tried to make me ‘prove’ I’m a metal fan, to fuck off than other females do. I’ve had plenty of insightful, intelligent conversations with males regarding music without being dismissed because of my gender. Honestly, I’m sick of this idea of trendy feminism that effectively villainizes men by assuming that all of them are disrespectful, misogynist idiots. I’m becoming jaded by ridiculously overblown ‘social justice’ issues. This newest attack on metal seems strangely reminiscent of the PMRC controversy of the late eighties. There will always be outspoken crusaders willing to create larger issues out of things that shouldn’t really be an issue in the first place. I was hoping these trends wouldn’t invade metal but it appears they have, and probably will continue to do so.

Ooops, is this offensive? 

Thursday, 21 January 2016

Response To "Metal's Problem With Women Is Not Going Away Anytime Soon"

The article in question:

“Metal’s Problem With Women Is Not Going Away Anytime Soon” by Kristy Loye
(Appearing on the Houston Press website, written Nov. 15, 2015)



I don’t even know where to begin regarding this article. This piece of propaganda recently surfaced within my circle of acquaintances and has subsequently drawn a reasonable amount of attention and debate. After reading through it several times, my opinion hasn’t changed. If you want chip-on-the-shoulder ultra-feminism, I suggest you read it. Perhaps it’s a product of the social media trend in the last few years in which ‘feminism’ has become more and more extreme. Perhaps it’s a product of chosen ignorance. Perhaps it’s just another attack on the “white male” that has seemingly become popular as of late.

            I completely disagree with the author’s very insistent stance that metal is exclusive toward women. Perhaps if you only choose to put blinders on, fail to do a little research, or fail to truly delve into the realm of metal, you could come to this conclusion. Frankly, I find it ignorant. Metal definitely allows women to play a greater role than being a “live prop”. Saying that the message delivered excludes women from being serious fans, or musicians, is nothing short of naïve.

            The entire section titled “Female Musicians Need Not Apply” really doesn’t make much sense. Sure, the author is trying to prove that female metal musicians aren’t put into the spotlight as part of headlining acts. Sorry, but not every band can be a headliner. The simple fact that there are fewer female metal musicians obviously makes it less likely that a band with female members will be a headliner. Should a band that includes women be a headliner for the simple fact that it includes women? Definitely not.

            The author keeps referring to decidedly mainstream media sources and fairly mainstream metal bands. Sorry, but a lot of the best metal isn’t actually mainstream and hopefully never will be. Not all journalists that write about metal are white males. There are several female music journalists, and they do exist both in the online realm and in print media. Pick up an issue of any metal magazine off the shelf, and you can probably find some quality content written by female metal heads. You can also find some quality content written by “white males”.

            I have a hard time NOT picking this misinformed argument apart sentence by sentence. Statements such as the one that follows, quoted from the article, should make serious metal heads shake their heads.

            “The empathy gap in metal is so enormous that the problem is systemic. Until metal fans can appreciate metal for the music and not just who plays it, metal will remain the dark fraternity that it is.”
            

Seriously? I would hazard a guess that metal is a genre where people truly do appreciate the music, and really don’t care about who is playing it. Probably much more so than more mainstream musical genres. You hear about amazing picking techniques, superb song structure, incredible vocals, and insanely fast drumming a lot more than you hear about what a musician was wearing, whether they’ve gained a little weight, or whether they are attractive or not. I have doubts that people listen to, or do not listen to, Ensiferum because they have a female band member. The same goes for other bands with female band members. (And yes, dear misinformed author, I can name twenty bands with female members without having to do an internet search).

            A few more very questionable quotes:

            Even metal fandom is exclusive. Women who are metal fans come under the constant scrutiny of male metal fans, and have their motives questioned. They're either assumed to be a poser or a girlfriend, no more than a fan by association. Often they must prove their fandom to suspicious men who require authenticity. Ridiculous.”

            “Women have every right to be at a metal show, whether on the stage or in the pit. And none of them have to prove themselves to anyone...ever.”

           
Perhaps there are some huge cultural differences between wherever the author is from in the States, and Canada, northern Europe and Scandinavia. I’ve never had to ‘prove my fandom to suspicious men’. Metal shows are decidedly inclusive. There are more females in the audience, in the pit, and on stage at metal shows now than ever before. Women aren’t questioned, or harassed, about whether they belong at a metal show. At least, not by the vast majority of men in the audience. You might encounter a few sexist moron meatheads running rampant, but this certainly isn’t the norm, and it’s bound to happen to some extent everywhere. Not just at metal shows. In fact, there is much less of this type of behaviour at a metal show than in your average nightclub. Women do have every right to be at metal shows. Just like men at metal shows have every right NOT to be automatically classified as sexist pigs, incapable of accepting that a woman can be a true fan of the music.

As for having to prove themselves, everyone has to prove themself to some extent. A female musician should not a get a ‘free pass’ simply because she’s female. Like any male musician, she should have to prove that she has some kind of musical talent or affinity. Outside of metal, this is why certifications and professional designations exist. Proving that you have some knowledge or ability to make you an ‘insider’ of a chosen group. There is absolutely nothing wrong with this, so far as it does not get taken to the level of harassing or being ignorant of those who are ‘outside’ of that chosen group of association. Nothing is more irritating than a female who jumps into the pit and expects special treatment for the sole fact that she is female.

As for the part of this article that discusses the themes of violence and rape in metal music, well, you can make up your own mind about that. Metal isn’t exactly meant to be a mainstream societally acceptable form of music. Themes that may not appeal to everyone come with the territory. If you’re uncomfortable with the violent, horror-filled content often present in death metal, don’t listen to it. If you can’t separate lyrical themes from reality, you have bigger issues to worry about. I dare say that the majority of metal heads are reasonably well-adjusted, intelligent people who are capable of separating the content of a song from the reality of the daily grind. It would be ignorant to say that there haven’t been exceptions, but when one considers the number of people that listen to metal, these exceptions aren’t any more common than what is seen in society as a whole.


            I view this article as a misguided effort at engineering a problem that doesn’t exist. There is no need to introduce gender bias directed at males into the realm of metal music. Jumping onto the reverse discrimination bandwagon, so often perpetrated by outspoken individuals and spread throughout social media, is something that a female metal head should avoid falling victim to. As a female metal fan myself, I don’t want to see the inclusivity and equality present in metal eroded by extremist feminism. Equality is fine; having to tread delicately around one gender while villianizing the other is not.

Saturday, 9 January 2016

Forthcoming Albums

Although the year has barely begun, there are a few upcoming releases that I am already looking forward to. Of course new years always bring new albums and 2016 appears as though it will be a good year for folk metal, and for Finnish metal.

First on the list of upcoming releases is Varg’s ‘Das Ende aller Lügen’. I’ve had this one on pre-order for several months as I was intrigued by the limited edition boxset option. Along with it, I should finally be receiving the ‘Rotkäppchen’ EP. Thanks to ridiculously expensive shipping from Napalm Records, this one is now several months delayed.

Next on the list is Wolfhorde’s ‘Towards The Gates Of North’. This will be the first full-length album from this Finnish band. After giving some of their previous material a listen, I’m quite interested to get my hands on a copy of this album. With the exception of some bands that have recently gained popularity and taken new directions with their music, Finnish folk metal rarely disappoints. This one is due before the end of the month although I’ve yet to find an easy way to get a copy.

Finland’s Moonsorrow will also be releasing ‘Jumalten Aika’ at the very beginning of April. I’m expecting more of that atmospheric experience that Moonsorrow is so good at providing from this album.

While The 69 Eyes are definitely not metal, they do fall into the gothic rock category that I enjoy indulging in every so often. I’ve spent a lot of time listening to these Finns and am excited for a new album. Especially since it will be produced by the same producer who helped create some of The 69 Eyes best albums. Entitled ‘Universal Monsters’, this one is due towards the end of April.


Although this list is (what I assume will be) only the beginning of the 2016 releases that interest me, so far it looks to be a promising year.